Oswaldo Vigas, Objeto Negro, 1956.
Oswaldo Vigas: A Sensuous Abstractionism seeks to show Vigas’ approach to abstraction in the 1950s, which would mark his work across decades, and which was detonated by his participation in the Universidad Central de Venezuela murals, declared a UNESCO World Heritage Site in 2000. He was one of the key links in the region’s quest for unique visual languages, developed across the Atlantic through an artistic network between France and Venezuela.
Oswaldo Vigas
Gran Objeto Vertical, 1956
Chinese ink on paper fixed on cardboard
195h x 95w cm
76 98/127h x 37 51/127w in
Unique
Oswaldo Vigas
Objeto Negro, 1956
Oil on canvas
97h x 143w cm
38 24/127h x 56 38/127w in
Unique
Oswaldo Vigas
El Encuentro, 1954
Oil on canvas
130h x 195w cm
51 23/127h x 76 98/127w in
Unique
Oswaldo Vigas
Proyecto para Mural en Naranja, 1953
Oil on paper fixed on masonite
67h x 123w cm
26 48/127h x 48 54/127w in
Unique
Oswaldo Vigas
Proyecto para Mural VI, 1953
Oil on cardboard fixed on masonite
60h x 109w cm
23 79/127h x 42 116/127w in
Unique
Oswaldo Vigas
Personaje Naciente, 1953
Oil on canvas
202h x 83w cm
79 67/127h x 32 86/127w in
Unique
Oswaldo Vigas
Estudio en Azul, 1956
Gouache on cardboard glued on fixed cardboard
35.10h x 25.10w cm
13 104/127h x 9 112/127w in
Unique
Oswaldo Vigas
Composición en Diagonal V, 1956
Gouache on cardboard glued on fixed cardboard
46h x 37w cm
18 14/127h x 14 72/127w in
Unique
Oswaldo Vigas
Doble Ritmo, 1956
Gouache on cardboard glued on fixed cardboard
46h x 37w cm
18 14/127h x 14 72/127w in
Unique
Oswaldo Vigas
Formas III, 1955
Varnished gouache on cardboard
106h x 80w cm
41 93/127h x 31 63/127w in
Unique
Oswaldo Vigas
Formas Tensionales III, 1955
Chinese ink and gouache on card fixed on wood
64.50h x 49.50w cm
25 50/127h x 19 62/127w in
Unique
Oswaldo Vigas
De la serie Objeto Negro I, 1954
Chinese ink on paper glued on cardboard fixed on canvas
53.30h x 73.50w cm
20 125/127h x 28 119/127w in
Unique
