
(Tianshui, 1978)
Cai Dongdong joined the People's Liberation Army at an early age, assuming the role of portrait photographer for enlisted soldiers. This job became his formal training in the middle, becoming a professional career when he returned to Beijing and opened his studio. Although his self-taught formation, he studied at the Beijing Film Academy in 2002.
Through the use of the archive, the found photography and the installation, Cai Dongdong creates fragmented images composed by different objects and ways to show them. Taking ready-made materials, a nod to Dadaist sensibilities from artists such as Marcel Duchamp or Kurt Schwitters is made, piercing the surface of these photographs with mirrors, arrows and other objects, forming what he calls "photo sculptures.”
Cai Dongdong’s oeuvre explores visual heritage of East and the West and how them shapes our perception about a lot of social and political situations. From elements such as theatrical plays and performance, the artist often presents his reflections through photography to invite the viewer into a perception of reality as something always in process and not established.
Cai Dongdong currently lives and works in Beijing, China.
Cai Dongdong Salvage mirror, 2014. Silver gelatin print, mirror in artist's frame 15 3/8 x 22 1/2 x 1 5/8 in (39 x 57 x 4 cm) Edition 1/6
Cai Dongdong, Practice Shooting, 2015. Silver gelatin print, mirror 53 × 53 × 53 cm (20 7/8 20 7/8 20 7/8 in) Edition 2/3
Cai Dongdong Big Harvest, 2017 Silver gelatin print in artist's frame 30 x 49 cm (11 13/16 x 19 5/16 in) Edition 1/5
Cai Dongdong, Big Harvest, 2017 Silver gelatin print in artist's frame 30 x 49 cm (11 13/16 x 19 5/16 in) Edition 1/5
Cai Dongdong, Aiming at the camera, 2017 Silver gelatin print, camera, wood 120 x 56 x 50 cm (47 1/4 x 22 1/16 x 19 11/16 in) Edition 2/3
Hang, 2016 Gelatina de plata y cuerda 49 3/5 × 24 4/5 in (126 x 63 cm) Edition 2/3
Buried Mirror, 2015, Silver gelatin print, mirror, 18 3/10 × 23 1/5 in (46.6 × 59 cm), Edition 2/6