The title of this exhibition, curated by Gabriela Rangel, presents a project by Anaïs Horn (Graz, Austria; based in Paris, France) and recent works by Pedro Zylbersztajn (São Paulo, Brazil - 1993); it alludes to the idea of time as a movement similar to the furrows that a boat produces when navigating a river, leaving the trace of its movement imprinted on the water with reverberating undulations until it dissolves. The title pays tribute to a feminist homonym poem by Adrienne Rich, where she narrates the care a woman dedicates to a patient from day to night, portraying her journey to assume the autonomy of her feminine identity as a series of waits, sacrifices, and losses.
Pedro Zylbersztajn
Três Digestões [Three Digestions], 2023
3-channel video, 4:3
Looped
Edition of 3 + 1 AP
Anaïs Horn
Untitled, from the series Hush ... Hush, Sweet Charlotte, 2021—2023
Inkjet print on mirror
51 x 42.3 cm
20 x 16 3/4 in
Unique
Pedro Zylbersztajn
Servimos bien para servir siempre [We serve well to serve always], 2023
Napkins used by the public in the exhibition opening, framed
25 x 25 cm
9 3/4 x 9 3/4 in
Unique
Anaïs Horn
Untitled, from the series Hush ... Hush, Sweet Charlotte, 2021—2023
Inkjet print on mirror
80 x 61 cm
31 1/2 x 24 in
Unique
Pedro Zylbersztajn
Écfrase de um filme (pausado) [Ekphrasis of a film (still)], 2020-2023
Vinyl adhesive on wall
154 x 443 cm
60 3/4 x 174 1/2 in
Edition of 3 + 1 AP
Anaïs Horn
Nervous Breakdown, 2021
Ink, pencil on found paper
30 x 24 cm
11 3/4 x 9 1/2 in
Unique