The title of this exhibition, curated by Gabriela Rangel, presents a project by Anaïs Horn (Graz, Austria; based in Paris, France) and recent works by Pedro Zylbersztajn (São Paulo, Brazil - 1993); it alludes to the idea of time as a movement similar to the furrows that a boat produces when navigating a river, leaving the trace of its movement imprinted on the water with reverberating undulations until it dissolves. The title pays tribute to a feminist homonym poem by Adrienne Rich, where she narrates the care a woman dedicates to a patient from day to night, portraying her journey to assume the autonomy of her feminine identity as a series of waits, sacrifices, and losses.