Caracas, Venezuela, 1965.
Crespin's work merges two universes: art and science. Both fields of knowledge were not strangers to him, as he is grandson of artists and son of mathematicians. However, the artist identifies as a decisive moment to start his artistic career, when he find Jesus Soto's work and imagine graphics and algorithmic functions that would allow the art piece to dance.
He began to develop his first work Malla electrocinética, in 2002; the artist gets to animate the modular geometric structures that he creates by using motors controlled through a custom software. His installations consist of metallic and plastic elements, which are suspended in the air by almost imperceptible nylon threads. Based on his research in programming, Crespín applies technology to the plastic arts to create sculptures in motion.
His work continues and transcends part of the concerns of geometric abstraction by moving in space what often happened only in the viewer's retina.
Elias Crespin currently lives and works in Paris, France.
Cuadrado Flexionante Rojo, Red anodized aluminium, nylon, motors, computer, electronic interface, 100 x 100 cm (39.3 x 39.3 in)
Circuconcéntricos Alu Rouge-50, 2018, Red anodized aluminium, nylon, motors, computer, electronic interface, ø 50 cm Ø 19 7/10 in, Edition of 3
Tetralineados Alu Brass 154, 2016 , Aluminium, brass, nylon, motors, computer, electronic interface, 154 x 20 x 20 cm (60.6 x 7.8 x 7.8 in)
HexaNet On Tubes, 2015, Aluminium, Brass, Nylon, motors, computer, electronic interface, 72 × 63 cm (28 3/10 × 24 4/5 in), Unique
Circuconcentricos Orange 60, 2016, Acrylic, nylon, motors, computer, electronic interface, 60 cm (23 3/5 in)
Tetralineados fluo vert, 2016, Acrylic, nylon, motors, computer, electronic interface, 20 x 20 x 250 cm